org Excerpts from TheDutch Group Portrait* ALOIS RIEGL Translated by Benjamin Binstock When the young Rembrandt left wing his hometown of Leyden for a short time in order to carry through what remained to be learned about his art in the studios of noted Dutch masters, the precocious youth did not seek out a city such as Haarlem-the home of Frans Hals, whom we are accustomed to seeing as the pioneer of Dutch wop pig painting at this time (the 1620s)-but Amsterdam. Here, it was likewise not the to the highest degree Dutch among the portrait painters, such as Werner wagon train Valckert or Thomas de Keyser, from whom Rembrandt believed he had something to learn, but Pieter Lastman, who had tra veled to Italy. hence the appear paradox t! hat Rembrandt was the true Italianist among his countrymen at that time. Among his numerous points of radio link with the Italian manner, the most important was his resolute embrace, from the outset, of subordination as a principle means of expression.l Yet Rembrandts ultimate purpose was moreover the utmost realization of the external unity with the lay eyes on take that we have recognized as the indispensable...If you want to foreshorten a full essay, order it on our website: OrderEssay.net
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