Representation of Total Unenlightenment by Plato

There argon solely imitations of things outside the opening of the cave. This is a representation of Plato's cosmology, and it requires the Forms, the particulars modeled on those forms, and the agent who does the modelling, the Craftsman. Order is imposed on the formless pragmatism of this world by the Craftsman, and this occurs as the cardinal basic elements are mixed in varying proportions to form the matter of this world. These four elements are themselves unchanged--fire, air, water, and earth. He agreed with the atomists that the varieties of sensible objects came from the differences in the shapes and sizes of the particles of which they were composed, al peerless he saw these primary solids as in cristal made up of polyhedrons of specific types.

The allegory of the cave demonstrates the conjure in which we live, a state where our macrocosm is enclosed as it would be by the cave and where we see still the shadows on the cave wall and non the ideal reality that produces those shadows. In the cave, appearance is whit guides thought, for the man chained at the click of the cave only knows what he sees, not its source, not its reality, not its relationship to reality. The cave is thus a prison which corresponds to the character revealed to us through the sense of sight, and the fire- sparkle within it is the same as the power of the sun:

When one ascends to see things in the upper world, this act is representative of the upwardly journey of the soul into the region of the intelligible. From the lower position, all that weed be seen are shadows on the wall of the cave:

He is then seeing the true source of light, the Sun, and he dope see it directly and not as the reason for shadows. The released captive then would no longer have the same appetite for the objects sought by those in the bottom of the cave for he would know their true essence, and be aware of the reality they only approximate. Those still in the cave would not believe him if he told them what he had seen, and they would still covet the shadows on the wall.

They accept those shadows as their reality, and he now knows that reality is something higher. They believe he has been blind by a different sort of appearance, his exposure to the Sun, yet he knows where blindness resides. He has achieved wisdom and knows where reality lies, spell the men in the cave have not been as fully educated and accept their lot as reality and not appearance. The allegory of the cave presents Plato's philosophy through a strong image by which Socrates uses concrete examples to show the surmount and the relationship between appearance and reality.

This light is not the light of reality but merely a simulation of it--it is not the sun but a fire burning in the cave and providing the only light seen by those chained at the bottom.

the light of a fire burning behind them.

Yet, the philosopher must make this journey and take this chance. He must eliminate to the cave to try to set the others free by tattle them what he had seen. Socrates here explains the role of the philosopher in terms of his beingness able to see the nature of reality and his responsibility to say others.

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